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75

Dinner in the Garden (1903), by Henri Le Sidaner
75 notes | 2 years ago

277

Frederic Edwin Church (1826-1900)Twilight in the WildernessOil on canvas1860413 x 258 cm
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“What I find fascinating is that everybody who looked on  this magnificent scene and published a reaction seems to have a  different interpretation. Some homed in on the eagle, up there on the  left, and saw a symbol of American power. Some noticed where the  branches cross, and saw a suggestion of Christianity. Others, noting the  absence of human beings, claimed the pines as our surrogates - standing  tall and strong, as the frontier expects. I must say that the pines  most evident are somewhat twisted and scruffy, which gives the landscape  a remarkable air of conviction; this is no ideal place, but truly what  Church looked down upon. The one interpretation that I find sustainable  hinges on the painting’s date. In 1860, the menace in the sky would have  been all too real. The Civil War would soon break out, and the  blood-red tide would spread throughout the land.”
Artchive.com
277 notes | 2 years ago

79

Henri Le Sidaner
Henri Le Sidaner is best known for his intimate          landscapes and  his skill at capturing the atmospheric effects of light. His paintings  convey an          noble reverence for nature in all          its  beauty. He enjoyed going out into the French countryside and           sketching from nature but normally worked from memory. Having started  his career as a          realistic painter, during the 1890s he  gravitated towards         pointillism          and the symbolist. He  infused his art with a          fresh sense of harmony           and joyfulness.
79 notes | 2 years ago

174

Hans Makart (1840-1884)Dame mit Federhut in RückenansichtOil on canvas1874-187582 x 135 cmGermanisches Nationalmuseum (Nuremberg, Germany)
174 notes | 2 years ago

171

Hans Makart (1840-1884)OpferszeneOil on canvasc.1880186 x 332 cm
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Austrian painter. He studied under Piloty in Munich and from 1869 worked  in Vienna, where he was enormously successful and became a leading  society figure. His pictures, often vast in size, were  characteristically of mythological, historical, and allegorical  subjects, treated in the manner of grand opera or Hollywood epics in an  exuberant, somewhat Rubensian style. They were produced in a huge studio  that was one of the sights of Vienna (Makart liked to paint in front of  visitors). His work had great influence in Austria and Germany, notably  on the early work of Klimt, but his reputation soon declined after his  death.
The Oxford Dictionary of Art
171 notes | 2 years ago

55

Frederic Edwin Church (1826-1900)Tamaca PalmsOil on canvas1854
55 notes | 2 years ago

198

The Girl I Left Behind Me, by Eastman Johnson
198 notes | 2 years ago

213

VAN GOGH, Vincent Self-Portrait1889Oil on canvas25 1/2 x 21 1/4 in. (65 x 54 cm)
213 notes | 2 years ago

105

Nesterov, Mikhail Vasilyevich 
Vision of youth Bartholomew 
1889–1890
Oil on canvas
160 х 211
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Bartholomew is one of the most venerated Russian saints, whose image as a youth became for the artist a symbol of hope for the revival of Russian spirituality. Nesterov uses an episode of St. Sergius hagiography. Unlike his brothers, Bartholomew found it difficult to learn his ABC’s. One day, when looking for his herd that had gone astray, the youth found himself in woods where he met a monk praying under an oak. On learning that the boy was failing at his ABC’s, he used the sacrament of communion to help Bartholomew achieve the blessing of knowledge. The folding icon that the old man holds in his hand and that resembles a cathedral, a church in the distance are the symbols of the saint’s future deeds. The youth’s fragile figure matches the thin young trees, brittle bladed of grass, the young pine tree that shoots up by his feet. The dark figure of the old man, by contrast, looks mysterious as it appears from behind the ancient oak. His face is hidden, a luminous halo around his head. It seems as if it was the contemplation of broody autumn landscape that brought this vision to the artist’s mind.
Tretyakovgallery.ru
105 notes | 2 years ago

340

Adolph von Menzel (1815-1905)The Flute ConcertOil on canvas
340 notes | 2 years ago

110

Roberto Ferri
Le delizie infrante 
Oil on canvas
300x214
110 notes | 2 years ago

165

Frederick Judd Waugh (1861-1940)The Knight of the Holy GrailOil on canvas1912319 x 238 cm
165 notes | 2 years ago

200

Russ Mills
Luci_four
2009
200 notes | 2 years ago

262

Joshua Reynolds (1723-1792)Portrait Of Mrs. Siddons As The Tragic MuseOil on canvas1784
262 notes | 2 years ago

79

Jean-Honoré Fragonard
Colin-maillard
1751
Oil on canvas
117 × 91 cm
79 notes | 2 years ago