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We Love Paintings

Project Point Zero

We Love Sculptures

The Rejected Network

Andy's Bubble

9012

7while23:

Lia Melia - Songs of Melusina 4 - 2012

9,012 notes | 1 month ago

3141

sophistae:

Sandro Botticelli, Mary With the Child and Singing Angels (detail), 1477

3,141 notes | 1 month ago

1242

blastedheath:

Michael Leonard (British, b. 1933), Dark Mercury Bather, 1993. Alkyd-oil on masonite, 83.8 x 77.8 cm. Private collection.

1,242 notes | 2 months ago

410

tierradentro:

“The Lost Love”, Auguste Toulmouche.

410 notes | 2 months ago

295

oxane:

“Maternité” by stricher gerard
Oil on canvas 130x97 cm March 2013

295 notes | 2 months ago

456

darksilenceinsuburbia:

Simon Kenny.

More here

456 notes | 2 months ago

203

Gustave Klimt (1862-1918)Portrait of Sonja KnipsOil on canvas1898145 x 145 cmSterreichische Galerie (Vienna, Austria)

203 notes | 2 months ago

527

John William Waterhouse (1849-1917)Mariamne Leaving the Judgement Seat of HerodOil on canvas1887180 x 259 cm(5’ 10.87” x 8’ 5.97”)

527 notes | 2 months ago

1179

Oren Eliav
Collar
Oil on canvas
150x100cm
2010

1,179 notes | 2 months ago

537

Klimt, Gustav Medicine (composition draft) 1897/98 Oil on canvas 72 x 55 cm Private collection, Vienna

537 notes | 2 months ago

352

ZICHY, Mihály Hungarian painter and graphic artist (b. 1827, Zala, d. 1906, St. Petersburg)The Triumph of the Genius of Destruction 1878 Oil on canvas, 447 x 550 cm Hungarian National Gallery, Budapest

352 notes | 2 months ago

250

Melanie Day - Shaman (oil on pvc, 36” x 48)

250 notes | 2 months ago

234

Sargent, John Singer Ellen Terry as Lady Macbeth 1889 Oil on canvas 87 x 45 in (221 x 114.3 cm) Tate Gallery, London
___
The famous actress, Dame Ellen Terry (1847-1928), is shown here in the role of Lady Macbeth. At the first performance in 1888, Sargent was struck by Terry’s appearance and persuaded her to sit for a portrait. He invented her dramatic pose, which did not occur in the production. Oscar Wilde, who saw Terry’s arrival at Sargent’s Chelsea studio, remarked, ‘The street that on a wet and dreary morning has vouchsafed the vision of Lady Macbeth in full regalia magnificently seated in a four-wheeler can never again be as other streets: it must always be full of wonderful possibilities.’
Tate.org.uk

234 notes | 2 months ago

638

VALDÉS LEAL, Juan de (b. 1622, Sevilla, d. 1690, Sevilla)
Finis Gloriae Mundi (detail) 1670-72 Oil on canvas, 220 x 216 cm Hospital de la Caridad, Seville

638 notes | 2 months ago

145

Bryan Larsen (1975-)Test FlightOil on linen201040.6 x 66 cmPrivate collection

145 notes | 3 months ago